mp4, give enough bits (I felt safe with CQ12)Īnd add grain (I used 1,8) otherwise you get blocks again.Īny fps model loses audio, even if duration stays. mov (ProRes 422HQ) for now, I got small blocks all over the sky. He answers, and there is definitely progress in GUI usability and I guess in number and usability of models too. Reading up their forums it seemed to be much worse in the beginningĪnd from the responses it looks like only one developer responding, but still: One cannot save his preferences (why oh why do I have to input manually for every new clip). Preview framecounter seems to be ready for input of framecount, but only renders the same amount 30 or 50. Hard to find out which is missing, you have to dump the complete set 3.6GB and try to download the complete set gain With such hard- and software a lot of projects will see a second AI edition now.Ī few GUI unusual behaviours: Model Update management does list incomplete model sets only by filesize, not by files. Running stable here, Proteus V3 4,5fps, Chronos V3 6fps. Will not replace, but accompany Avisynth for the tasks where they shine. Other source VHS on DV: Dione Deinterlacing: QTGMC still wins by far for now.īut with improving AI models almost everything seems within reach.įor me Proteus and Chronos are well worth it now and will stay in my daily toolbox. In hard cases soft blends of details, but only visible while framestepping and pixelpeeping Going back to source I started to hate the source more than the result.Ĭhronos 50p interpolation: knocks Mvtools2 out of the water, almost no morphing blotches. When overdone repeating patterns occurred, but not too bad ! Proteus could repaint convincing seawater structure back, and resynthed details of hair and skin, ![]() Then maybe interpolate to 1920x1080x50p, maybe end in 1280x720x50p.įirst decoding with DGDecode, then QTGMC for getting Chroma back onto Y, then into VEAI. Used so far on Panasonic FT-3 encoder mud (1980x1080x25p on 25i)Īiming to stay in 1920x1080, but with less camera artifacts. Proteus: Fine tunable restoration for Pros, see below. Gaia: one-in-all for CGI, I haven't tested yet. tz fileĪrtemis: seems to be a one-stop shop for startersĬhronos: Good fps interpolation, see belowĭione: Deinterlacing, not mature yet I would say (knowing (Q)TGMC) ![]() If you don't preload everything VEAI will phone home for every model it sees fit and tries to get the next 30MB. You should also have at least 4GB of free hard disk space for optimal performance.Back to OP: Topaz VEAI 2.6.2 under Win10, i9-11900K 128GB, 3080RTX 16GB.Ħ432 files in C:\Users\\AppData\Roaming\Topaz Labs LLC\Video Enhance AI\modelsĦ model families, each in 1.6 subversions with all their kernels, in 1.3 builds each. To run Video Enhance AI, you need a Windows 10, 8.1, or 7 operating system, a multi-core Intel or AMD processor, and at least 4GB of RAM (8GB or more is recommended). Technical Details and System Requirements It typically takes only 4-5 seconds for each frame to upscale a video from HD to 8K. Some of the key features of Video Enhance AI include the ability to load several videos simultaneously, true details and motion consistency with a single click, and the best quality upscaling for video up to 8K. ![]() ![]() And with its easy-to-use interface, you can enhance your video footage with just a few clicks of a button, without any complicated processes or confusing tools. Unlike Gigapixel AI for photos, Video Enhance AI can extract more details from a single video clip, giving it a more realistic look. This software is perfect for anyone looking to enhance their footage and make it look even better, from old home movies to low-quality SD and DVD footage. With its advanced neural network trained on thousands of video pairs, it can upscale your videos up to 8K resolution, retaining all the details and motion consistency that were previously lost. The Topaz Video Enhance AI offers an innovative solution to recreate high-resolution videos from low-quality footage. Overview of Topaz Video Enhance AI Benefits
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